Legacy Skills, New Frontiers
Combining decades of real-world producing with AI-driven storytelling, original IP, and cross-platform innovation. From feature films to AI-generated worlds. Building stories that adapt, expand, and endure.
Plenitude Productions is where old-school producing collides with new-wave tech. Founded by Karen Taylor, a Gen X filmmaker raised on VHS and chaos. The studio builds storyworlds that bite, fusing AI, cinematic realism, and a healthy disrespect for genre boundaries.
The work spans horror, comedy, and spiritual sci-fi, always rooted in emotional grit and the eerie edge of the everyday.
Productions
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Christmas Presence
Horror feature co-written and produced by Karen Taylor.
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Laika
A dark, lyrical short exploring memory, grief, and the spaces in between.
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Just Cause I’m Dead
Music video for Peter Alexander Jobson.
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Laika Rocket Shot
A powerful moment from the LAIKA film.
Evolving with AI
Plenitude is evolving.Combining decades of production experience with the latest in AI and Web3 storytelling.
From live AI training with Xtendency Academy to the development of original IP and next-gen narrative tools, the focus is clear:
Push creative boundaries. Build stories with staying power.
Testing the Edges
Right now, Plenitude is in flux, merging battle-tested producing instincts with the weird, glitchy promise of AI.
This is a space for experiments, narrative stress-tests, and work that doesn’t quite fit the pipeline… yet. Here, failure’s part of the process and curiosity is the constant.
You'll find the experiments (and occasional chaos) over on @rendercore.al.ads where analogue meets algorithm.
Artificial horror
Created to serve. Programmed to think. Now it wants more.
A horror story born from wires, data, and deadly intent , where sentience spirals into something feral.
Artificial Horror isn’t a one-off experiment. It’s a genre we return to, glitching between nostalgia and dread.
From VHS static to broadcast possession, these stories live in the liminal hum of the ‘70s, ‘80s, and the nightmares they left behind.
We have a slate of horror-tinged genre projects in development where the darkness creeps in sideways.